180 Royalty-Free Audio Tracks for "Multi Sounds"

Sound is me being gross! setup: mic, into eq, into stereo pedal (used as a signal splitter-- one signal went to one multi effect on a pitch-down setting, the other into a second multi effect on a pitch-up setting. ), into stereo delay (no delay added, though. ) burp. . .

Same as "fire whoosh 2," but with multi-band compression instead of a limiter and with the sound more centered.

This is the sound of water running down a level at at multi-tier pond. Effects: noise removal, basic eq to clean it up.

My first upload - have fun!. This audio file contains two cylindrical objects colliding with each other repeatedly, which makes a loud bonk sound.

The sound is a guitar drone. Effects used: light distortion > eq > pitch shifter/harmonizer on multi-effect > delay on a second multi-effect > more delay > vibrato > reverb. ) direct to soundcard, edited w/ compression and fading on the beginning/end to hide "loop clicks". Sound is a bit distorted in parts due to peaking from the reverb (i guess). . . Meant to imitate shoegaze-style guitar drones. . . If i had a proper amp it might sound better!.

Loopable lead sound from my technosaurus microcon, obtained by multi tracking 3 slightly detuned and lightly off phase saw waves. 12 pole filter, fully opened, no resonance. Played in gate-trigger mode (no adsr whatsoever). Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Made with omnisphere, guitar rig etc. . .

Pulling keys out of the ignition and slamming the door of a car in a big reverberant city multi-storey car park.

You can access my entire sound library for free, just use this link!. Https://shrinke. Me/mediafirefreesound.

This is the sound of a multi-tracked circuit bent toy piano. Listen. Download. Enjoy.

Foley of hand hitting a wooden wall. Recorded with xy mic on zoom h5. Sound is processed with compressor, multi band compressor, hpf eq and a limiter.

Sample of a hape toy piano. Captured using a røde nt1 microphone with a sound devices mixpre-6. Cut in izotope rx7.

Modular patch ending up in the zoom ms-70cdr multi effect. 2 voices, noise and very much reverb :-). Shoutout to cabled_messhttps://www. Freesound. Org/people/cabled_mess/.

Dark analogue synthy sound created by a low tuned electric guitar, plucking an open low 'c' string. Effects used is a combination of a zoom bass multi fx pedal and a boss dd20 delay pedal. Recorded direct to a tascam digital recorder.

I took a fairly drone-like-ambience, placed it in reaper's media explorer, and just had fun changing the loop size while recording the desktop.

This sound i did create with cubase daw. It's based on the sound "guitar harmonics" of cubase and i added the following effects : multi delay, chorus and phaser. It's only one track. Samplerate : 48 000 khzit's free to use. It might be a good background sound for special scenes in games, movies or videos.

Zurich international airport ambiance. This is the sound of the food and airport shopping hall. 96khz 24bit stereo.

I did create this sound with cubase daw. It consists of two tracks:grand piano plus changes in studio- and graphic eq plus reverb and chorus. Second track is e-piano plus reverb plus multi delay. Samplerate: 44100 khzplease use it how and for whatever you like, it's free to use.

Faux-synthesized "welcome" spoken by midnight furie demaurisha. (yes, it's her real name. ). Midnight says, "welcome". Processed to sound like a disembodied machine. First word spoken by midnight at the start of one of her guided visualzations. Recorded at shabby road studio in caerphilly, wales. Source audio is clean. This sample has been coloured with a multi-tap delay.

Hybrid virtual analog and analog mixed together through a behringer mixer into an mpc 1000. Light effect send to warm it up a bit. Doesn't sound like strings, thats just what i was going for, but this is where i ended up. Enjoy44. 1k, 16bit.

Just a long, reverberating and multi-faceted fart sound made with my ample arm, sock over the microphone, in a small sound booth. No extra noises. Editted a few together from different tracks to create the 'overlapping' effects of the smaller ones, added a few effects, and was used in a 'toon of mine (kind of 'butthole of the world' volcano going off, suffice to say). Not as wet sounding as i thought it was going to be, though. Can be cropped, etc.

Monastiraki square, athens, greece. A group of 6 young guys from africa start a street drumming-and-dancing show, when they are approached by a group of romani girls (in a flirting mood, in my view). Their meeting evolves in a multi-cultural rhythm/vocal/dancing jam session. Sound recorded by giorgos samantas with a a pair of handmade binaural microphones mounted on an edirol r-09rh.

I believe i recorded these with a sound devices 702 and a neumann rsm 191 stereo shotgun. They are long car bys on a quiet road. Lots of distance to my left and right so you get some nice long singular car bys. Maybe one or two instances with a multi car pass. The roads were wet when this recording was done.

Recording is a 24 bit stereo wav file. Literally using a "motivational speaker" tape found in a box (full of several more of these god awful things!) while digging through the neighborhood trash to test out and setup a pitch-shifted vocal patch for my noisecore project. Effects used: danelectro fish & chips eq, korg ax3g multi-effect, and alesis nanoverb direct to sound card. Processed in goldwave(compression to reduce peaks and fading on the beginning/end. ).

2 lengths of 3 different pitches of this low cinematic squelch bass. Played once with a large reverb and again played dry with no fx. This sound is modeled after the inception movie's large horn blast. It is a low multi-voiced saw wave with a specific ring modulation setting to give it it's effect. This sound is rendered as a 44100 sample rate 16 bit wav file. Made with native instrument's massive inside ableton live 9.

The sound of water free falling off the edge of a flat roof. I opened the apartment balcony door and started recording. The fourth floor apartment is on the corner. The water was draining off the flat roof over the edge and falling directly from the roof to the ground. The recording equipment is a studio quality apex 460 multi pattern tube condensor microphone. It was located to avoid getting wet (!) and was about 90 degrees and six feet away from the sound source, just set in a few feet from the open balcony door.

Atmosphere in the interior of the sagrada familia, or more formally, the basílica i temple expiatori de la sagrada família, in barcelona, spain. Antonio gaudi's as-yet unfinished masterwork, begun in 1882, and set to be completed around 2026. It's an awe-inspiring building, with soaring, tree-like pillars and flooded with color from the stained-glass windows. This is a recording, made 2022 june 14, of the hubbub of sound inside the nave with multi-lingual tourists milling about, taking selfies, and gazing upward in awe. (try playing it back pitched down by and octave or more too!). .

This helicopter sound design was created at fl studio, in the sytrus synthesizer. The sound consists of four layers. 1. Sine wave frequency of 44 hz. Simulates the low frequency noise of propeller blades. 2. White noise passed through the svf filter. Simulates the noise of propeller blades. 3. Saw wave. Simulates the sound of an engine. 4. The sine wave. Imitates a high-frequency whistle of the engine. Various modulations are applied to all waves through the envelopes of the synthesizer. Next, the signal on the mixer channel is processed by a multi-band exciter and equalizer. Then a signal was sent to two channels with delay processing. One of them imitates reflections. In the lower-middle frequency range. On the second in the upper-middle frequency range. As you approach the sound source, the volume parameters of the direct and reflected signals are automated, low pass filter, pan width and equalization of direct sound. The helicopter performs strange maneuvers, as if making constant circles during the approach to the listener. I did not seek to create the veracity of these maneuvers.

A recording of a manual typewriter. The author is inserting paper, typing a paragraph, and then removing the paper. Sound of paper being inserted into the typewriter using the paper platen winder. Then the sound of typing of about 50 words. A small bell sound is heard at the end of each line, then the sound of the platen being pushed back to start the next line, and the platen moving the paper up one line. The sample ends with the sound of the paper being wound through the typewriter and removed. I have tried to avoid clipping of each typed letter. There is a lot of percussive multi pitch sound in each typed letter. There is a mechanical escapement that provides a clicking sound as the platen is moved back for the next line. This sample was recorded direct to the hard drive of this samsung nc10 netbook using audacity set to 44. 1khz and 16 bit in mono. A dynamic microphone was used on a small desk stand about 1 foot (30cm) from the typewriter, the stand being on a different table to the one on which the typewriter was used. The microphone was a fairly cheap make (hitachi hmp606) and was pre-amplified using a maycom mictube preamplifier built into the xlr connector, connected to the mic in port of the samsung nc10 netbook. The mic boost was reduced to zero, and the gain of the maycom preamp was at its lowest setting.

I recorded this in my living room with mics in an x-pattern on the couch very close together, using a tascam dr-70d and behringer dyynamic microphones with patch cables for optimal volume. I recorded this at maximum gain on the tascam as two stereo files, then conjoined them to a 6-channel audio file properly and mixed the front two channels to a monaural center channel for added effect. The final result is what can be downloaded here. Tghe music in the background is part of the star trek: generations expanded complete score, and is coming from my computer to the rear of the recording, which lasts just over a minute in length, and the music was just background noise for testing purposes only. No copyright infringement was intended. Credit for the music goes to the now late jerry goldsmith and also dennis mccarthy, who is still alive. I hope you like this audio demonstration, and find it useful when considering rigs like the holophone, or comparible 5. 1 surround sound microphones / rigs. I take no credit for this recording, as it was done for demonstration purposes only. Have fun!.